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In Florence, Leonardo lived at premises of the Servite Community , and at that time drew the large cartoon for the Madonna and Child and St Anne which attracted a lot of popular attention. In Francesco Melzi joined his household as an apprentice, and remained with him until his death. In Leonardo left Milan for Rome and was employed by the Medici family.

In he went to France as court painter to King Francis I. It is said that the king held Leonardo's head as he died. Descriptions and portraits of Leonardo combine to create an image of a man who was tall for his time and place, athletic and extremely handsome. He was at least 5 ft 8 in 1. While most men were shaven or wore close-cropped beards, Leonardo's beard flowed over his chest. His clothing is described as being unusual in his choice of bright colours, and at a time when most mature men wore long garments, Leonardo's preferred outfit was the short tunic and hose generally worn by younger men.

This image of Leonardo has been recreated in the statue of him that stands outside the Uffizi Gallery. According to Vasari , "In the normal course of events many men and women are born with various remarkable qualities and talents; but occasionally, in a way that transcends nature, a single person is marvellously endowed by heaven with beauty, grace and talent in such abundance that he leaves other men far behind Everyone acknowledged that this was true of Leonardo da Vinci, an artist of outstanding physical beauty who displayed infinite grace in everything he did and who cultivated his genius so brilliantly that all problems he studied were solved with ease.

He possessed great strength and dexterity; he was a man of regal spirit and tremendous breadth of mind Leonardo's face is best known from a drawing in red chalk that appears to be a self-portrait. However, there is some controversy over the identity of the subject, because the man represented appears to be of a greater age than the 67 years lived by Leonardo. A solution which has been put forward is that Leonardo deliberately aged himself in the drawing, as a modern forensic artist might do, in order to provide a model for Raphael's painting of him as Plato in The School of Athens.

A profile portrait in the Ambrosiana Gallery in Milan is generally accepted to be a portrait of Leonardo, and also depicts him with flowing beard and long hair.

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This image was repeated in the woodcut designed for the first edition of Vasari's Lives. In a TED talk, artist Siegfried Woldhek , based on Leonardo's features in Andrea del Verrocchio 's bronze statue of David , proposed that Leonardo may have done three self-portraits: It has been written that Leonardo "may be the most universally recognized left-handed artist of all time", a fact documented by numerous Renaissance authors, and manifested conspicuously in his drawing and handwriting. In his notebooks, he wrote in mirror image because of his left handedness it was easier for him , and he was falsely accused of trying to protect his work.

More recently, Anglo-American art historians have for the most part discounted suggestions of ambidexterity. Leonardo da Vinci was described by his early biographers as a man with great personal appeal, kindness, and generosity. He was generally well loved by his contemporaries.

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According to Vasari, "Leonardo's disposition was so lovable that he commanded everyone's affection". He was "a sparkling conversationalist" who charmed Ludovico il Moro with his wit. Vasari sums him up by saying: He was physically so strong that he could withstand violence and with his right hand he could bend the ring of an iron door knocker or a horseshoe as if they were lead. He was so generous that he fed all his friends, rich or poor Through his birth Florence received a very great gift, and through his death it sustained an incalculable loss.

Some of Leonardo's philosophies can be found in a series of fables that he wrote. Prevalent themes include the dangers of an inflated sense of self-worth, often as described in opposition to the benefits that one can gain through awareness, humility and endeavour. Little is known about Leonardo's intimate relationships from his own writing.

Some evidence of Leonardo's personal relationships emerges both from historic records and from the writings of his many biographers. Leonardo maintained long-lasting relationships with two pupils who were apprenticed to him as children. These were Gian Giacomo Caprotti da Oreno , who entered his household in at the age of 10, [16] [17] and Count Francesco Melzi , the son of a Milan aristocrat who was apprenticed to Leonardo by his father in , at the age of 14, remaining with him until his death.

Gian Giacomo was nicknamed Salai or il Salaino meaning "the little devil".

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Vasari describes him as "a graceful and beautiful youth with fine curly hair". The "Little Devil" lived up to his nickname: But despite Salai's thievery and general delinquency — he made off with money and valuables on at least five occasions, spent a fortune on apparel, including twenty-four pairs of shoes, and eventually died in a duel — he remained Leonardo's servant, and assistant for thirty years. Melzi accompanied Leonardo in his final days in France. On Leonardo's death he wrote a letter to inform Leonardo's brothers, describing him as "like an excellent father to me" and goes on to say: Little is self-revealed about Leonardo's sexuality, as, although he left hundreds of pages of writing, very little of it is personal in nature.

He left no letters, poetry or diary that indicate any romantic interest. He never married and it cannot be stated with certainty that he had a sexually intimate relationship with any person, male or female. One of the few references that Leonardo made to sexuality in his notebooks states: The only historical document concerning Leonardo's sexual life is an accusation of sodomy made in , [20] while he was still at the workshop of Verrocchio.

The denunciation accused four people of sodomizing Saltarelli: Leonardo da Vinci, a tailor named Baccino, Bartolomeo di Pasquino, and Leonardo Tornabuoni, a member of the aristocratic Tornabuoni family. Saltarelli's name was known to the authorities because another man had been convicted of sodomy with him earlier the same year.

The same accusation did in fact appear on June 7 but charges were again dismissed.

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Such accusations could be made secretly, but not anonymously. There is speculation that since the family of one of the accused, Leonardo Tornabuoni, was associated with Lorenzo de' Medici , the family exerted its influence to secure the dismissal. It was also an offence for which punishment was very seldom handed down in contemporary Florence, where homosexuality was sufficiently widespread and tolerated to make the word Florenzer Florentine slang for homosexual in Germany.

Michael White points out that willingness to discuss aspects of Leonardo's sexual identity has varied according to contemporary attitudes. Elizabeth Abbott, in her History of Celibacy , contends that, although Leonardo was probably homosexual, the trauma of the sodomy case converted him to celibacy for the rest of his life. Freud claimed the symbolism was clearly phallic, but argued that Leonardo's homosexuality was latent: Other authors contend that Leonardo was actively homosexual.

Serge Bramly states that "the fact that Leonardo warns against lustfulness certainly need not mean that he himself was chaste". Friedman argues that Leonardo's notebooks show a preoccupation with men and with sexuality uninterrupted by the trial and agrees with art historian Kenneth Clark that Leonardo never became sexless. Michael White, in Leonardo: He was assisted by James Purdum and Peter Shin worked as the supervising directors for the episode.

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Other crew members that collaborated in the animation of the episode included Deborah Cone who directed the retake of the episode and Kenji Ono who was the assistant director of the episode. Iles sketched out several clothing ideas for Peter to wear.

He got ideas by flipping through catalogs. It is a tribute to a similar mentioning of canceled shows when Family Guy came back on the air in May in the episode " North by North Quahog ". The episode begins with Peter playing the video game Dragon's Lair. Later in the episode, Peter names his horse "Till' Death", in reference to the show of the same name, highlighting shows that were all cancelled by Fox, including Arrested Development and The War at Home , amongst others.

Peter also learns about a pomegranate martini from In Style magazine.

While in the doctor's office, Peter's doctor makes a reference to the song " Seasons of Love " from the musical Rent and while reading Flowers in the Attic by V. The episode received a 4. Ya know, we figured if we are going to be damned, let's be damned for what we really are. The episode received divided reviews from critics. Ahsan Haque of IGN rated the episode a 7. Even with its traditional pop culture references and flashbacks, this week's episode could not simply keep me tuned in.